Select which coloured markers to use as chapters for Quicktime, MP4 and YouTube exports. When improvements are so cool, you end up wondering how you managed without them before, and why it took so long for them to be implemented. Just mouse over the menu and the main preview section instantly shows you what the mode you’ve moused over will look like, removing tons of guesswork, and greatly speeding up the selection process. You know how much we love it when video editing software saves us time, and now, this tedious process is no longer necessary. If you weren’t sure which one to go with, it would require many trips to this menu to select one, then choose a different one, and another, and another. Prior to this upgrade, you’d have to select a new mode to see what the effect looked like on your chosen clip, and the one underneath it. The Composite Mode menu in the Video tab is one such. If you like to play with visual effects, the Fusion page is the place to be, although you’ll find many other areas are available to perform simpler changes. Mouse over the composite mode menu to see an instant preview of the effect. It’s odd that such shortcuts aren’t set by default though. As before, they all appear as tabs which you can click on to switch from one to another, but now, you can make use of the customisable keyboard shortcut feature to set a shortcut to the ‘Next Tab’ and ‘Previous Tab’ commands. If you work on a complex edit, it’s likely that you might have multiple timelines open at any one time. All you have to do now is hold the shift key as you drag to get more precise control over that clip’s volume. The downside of this was the difficulty in performing precise alterations. When it comes to working with audio straight from the timeline, your options are pretty limited, but you were always able to alter the gain by dragging a clip’s volume line up or down. Anything that shaves a few seconds of work is a benefit in our book. This then allows you to fill that gap extremely quickly with a selected clip from the Media Pool. It’s Resolve’s section where you build your video, one clip at a time, and it’s received a lot of minor, yet highly useful tweaks which should be welcomed into most workflows.įor instance, it’s now possible to quickly mark a gap in your edit with in and out points using a simple keyboard shortcut. The Edit page is where you may well be spending most of your time. Improvements in the EditĬreate your own custom shortcuts, which now include the ability to switch between timeline tabs. We’ll be taking a look at some that caught our eye, while experimenting with a video editor we consider one of the best alternatives to Adobe Premiere Pro. ‘Color’, is where your color grading takes place, ‘Fairlight’ is for intensive audio work and manipulation, and ‘Deliver’ focusses on exporting your finished product.ĭespite not being a major leap in version numbers, this iteration of Resolve still packs a fair amount of improvements, from the subtle interface tweak, to the large under the hood performance enhancements. ‘Fusion’ lets you assemble and apply effects to clips via a node-based interface (it’s more confusing and less straightforward than how other editors work with special effects, but it’s also immensely powerful). There’s one to check your ‘Media’, another to prepare and ‘Cut’ your footage, yet another to ‘Edit’, although you can also do editing in ‘Cut’. Resolve is huge, and is thankfully broken down into various ‘Pages’. For even more post-production power, we've reviewed the best video editing software and the best video editing apps for Android, iPhone, and iPad.
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